I think most of the posters here probably know my feelings on collecting gear for its own sake as opposed to using gear as tools to take photos. I consider myself to be a photographer who shoots with Nikon equipment as opposed to being a "Nikonian" or "Prongster" or whatever label those who collect first and shoot second deem to apply to themselves. Additionally, I am an accredited judge here in Toronto who visits other camera clubs in the city and surrounding area and judges various showings and competitions, and so when I see images my first inclination is to view them with respect to composition, exposure, depth of field, sharpness, subject matter and so on, and frankly what lens or camera the image was taken with is for me, really of no interest.
I'm a straight-shooter and while I'd never be cruel or insensitive with a critique, I really don't want to make critical comments if they will be not taken in the spirit in which they were intended, or worse, cause animosity and problems with other posters.
Thus I'd like to hear what you, Kiu, and others feel about this, so I can comment or not, accordingly.
Thoughts?
Anyone?



Of course, the problem is that it is so subjective. I.
e., the famous shot by Henri Cartier-Bresson of the man jumping the puddle. Often called the greatest photo of all time. I don't get it.
It's blurry and limited DOF and an ordinary subject. Frankly, to me it's c--p, that has been interpeted and elevated by artistic snobs. They see
symbolism in the typically Middle-European name on the wall and the broken hoops on the ground. Really! Do you really think he worked to capture that
symbolism? But, ah well, that's just the cynical ME, coming out.
